Heller, Joseph. Catch 22. Simon & Schuster
Paperbacks, 1989 (orig. published 1961). 524 pages. Tr. $21.30, ISBN: 978-1-45162-117-4
Convinced
that people are trying to kill him, Yossarian continues to plot to avoid combat
by faking a liver illness and crafting other schemes. When he realizes that his
bumbling tent-mate, who had been missing, has washed up in Sweden, he realizes that
this is his ticket out of the war.
Critical
Evaluation: A powerful critique that has become a classic. Heller pitches his
character into a world of bureaucratic insanity in a way that resonates to
anyone who has had to deal with the red tape of a large institution. Its plot
isn’t linear but there is a structure, with frequent flashbacks tied to the
present (1943). Yossarian is the
“Everyman” of the story, a character who is easy to identify with and who is
swept up in forces beyond his control. Other characters serve symbolic purposes
– with Colonel Cathcart representing the true insanity of war.
The
story’s flashbacks and sometimes confusing narrative also help to disorient the
reader, putting him in Yossarian’s confused shoes. As funny as it is in the
beginning, the end gets closer and closer to the terrifying darkness of war,
and there are truly horrifying events that occur. Just because the characters
are symbolic in nature doesn’t mean that what happens to them doesn’t hurt. The
ending, though, presents the opportunity to escape the madness.
Because
teenagers so often feel that they are caught in the web of school and family
obligations, they identify easily with Yossarian and his absurd situation.
Reader’s Annotation: When John Yossarian gets sent to the
Italian front during World War II, he is swept into an insane system that he is
desperate to escape, which puts him in a series of ridiculous situations in a
place in which everyone is, basically, out of their minds.
Author bio: The son of Russian immigrants, Joseph Heller was
born in Coney Island, New York in 1923. Before he joined the U.S. Army, he had
apprenticed to a blacksmith. When
he was 19, he went into the military, going to the front and flying a multitude
of routine and uneventful combat missions.
After
he came back, he went to college, eventually getting his MA in English and
dipping into academia, journalism and copywriting. Catch-22 was extremely late to the publisher (possibly five years).
It was hardly a hit, but the paperback version did well with the newly
disenfranchised Baby Boomers, who responded to its anti-war message. The book
was turned into a film nine years later.
Genre: Historical novel, satire.
Curriculum Ties: California State Standards, English –
Literary Response and Analysis 3.0:
Literary
Criticism
3.8 Analyze
the clarity and consistency of political assumptions in a selection of literary
works or essays on a topic (e.g., suffrage, women’s role in organized labor).
(Political approach)
Booktalking Ideas:
Focus on the idea of an individual fighting
against the machine.
2 Describe the set up of “Catch-22” and how the
term stuck.
3 With someone else, act out a particularly crazy
scene that captures the mad logic of the conversations.
Reading Level: 7th grade
Interest Age: 16+
Challenge
Issues: Violence, sexual content.
Challenge
Responses: A familiarity with the content of the book is a must.
This
novel, now considered a classic, has been ranked on several lists as one of the
best books in the English language. Keep classics lists in file.
Also,
keep rave reviews on file, such as this one by the New York Times: http://www.powells.com/review/2001_05_31
Why Included: Considered one of the best books written in
the past 100 years, it appeals to teenagers because of its message about
individuality and conformity.
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